NEW Gender and Cocaine Use Influence the Expression of Urinary Markers of Inflam

On Cocaine (On Series)

On Cocaine (On Series)

Finding cocaine to be an analgesic and a cure for depression, Freud hailed it as a miracle drug, stressing in particular its apparent lack of side effects. Marveling at its ability to “cure” addictions to morphine, he enthusiastically recommended it to all his acquaintances. Eventually, following several tragic experiences, he was forced to recognize the negative effects of the drug. This unique selection, edited and translated by Freud expert David Carter, combines letters, papers, and dream an

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Cocaine Blues – Konrad Lenz and the Spirits of the Dead – Cocaine Blues is a traditional song that has been sung by Reverend Gary Davis, Ramblin’ Jack Elliott, Townes Van Zandt, Leadbelly, the Captain Matchbox Whoopee Band (as Take a Whiff on Me), Jackson Browne, Bob Dylan, Keith Richards and many others. Sometimes it celebrates the use of cocaine in almost nursery rhyme-like fashion, oftentimes it laments the pains of addiction and withdrawel and other times it manages to simultaneosly do both in the one song. Maybe the variations in the song’s tone reflect changes over time as awareness of addiction grew. Who knows? Gary Davis first heard it back in 1905, so it’s fairly old. This was recorded in one take during a Spirits of the Dead rehearsal back in early 2006 with one microphone in the middle of the room. Tom is now the frontman of Melbourne based band The Orphanage, Emma plays violin in Canberra acts Mr Fibby and The Ellis Collective and Gareth (who is heard but not seen in this video) is now with Mikelangelo and the Tin Star. They all remain members of the Spirits. Konrad Lenz – vocals Tom Woodward – guitar and backing vocals Emma Jasmine Kelly – violin Gareth Hill – bass Audio produced and engineered by Konrad Lenz. Video directed by Konrad Lenz Camera by Konrad Lenz except the shots of Tom Woodward which are by Tim Duck and Kitty Von Lustbaden who directed their own photography. Edited by Konrad Lenz